![]() ![]() "The beautiful thing about learning is that no one can take it away from you." B.B. If you would like to research more on the rhythm software, visit Back Pocket Software Once you get it down in a simple version, then learn it then learn to play it in other keys that fit your voice range. I will be, I will be free This is such a powerful song by Whitney. ![]() When all of my dreams are a heart beat away Am = AE/C Dm = DA/F For the ending, after you've played F/FAC, the right hand walks down single notes are E,D, and C finishing the song on a C chord, of course! Chord Chart: Key of C C F G Each day I live I want to be ![]() C = C/ E F = CA/F G = G/BD C7 = EBb/G Sometimes the F chord is played FA/F. In the second video, I am playing these basic major and minor chords. It's easy to find the minor chords in this song, knowing with the assigned numbers to the notes of the scale that the ii chord is Dm and the vi is Am. Counting up, you would find that F is the IV chord, followed by G being the V chord. If you're a little rusty on your basic chords, then you might want to take a look at this music resource, Audio Chords So, to breakdown an easy song like One Moment in Time in the Key of C, you would need to know that the I chord is C. If you were to assign numbers to each tone of the scale, then that's how we get the I, IV, V chords in a progression. In my blog posts, I've talked a little about how chords make up chord progressions that produce songs. I may post them on Saturdays and call them "Simple Saturday". If youre a little rusty on your basic chords, then you might want to take a look at this music resource, Audio Chords So, to breakdown an easy song like One Moment in Time in the Key of C, you would need to know that the I chord is C. From time to time, I will be sharing easy songs for you to play for your enjoyment or for the church. I wanted you to hear how rhythm software can help with practice. Instead, we get the D in the bass, but as the root of a D major chord, which is the dominant chord of G and the music swerves off towards G minor to continue its seemingly continuous descent.Are you familiar with the song One Moment in Time sung by Whitney Houston? I placed a few videos of the song on YouTube. It could for example be B♭/D, thus preserving the chromatic bassline. F7 is the dominant of B flat, so we could reasonably expect B flat major (or possibly minor) to be the next chord. While descending basslines are in themselves not exceptional, the F/E♭ chord is effectively F7 in third inversion. Getting a bit theoretical for a moment, it is worthwhile to take a closer look at some aspects of this chord sequence. If playing a D major chord with your third finger lying down is a challenge, use fingers two, three and four are like we did for the F major chord in Figure 2. Aim to hold onto the bass note so it rings throughout the bar.īetween the chords F/E and F/E♭, it should be possible to simply slide your third finger down one fret, making this change much more straightforward. One way to play this on guitar is to pick the bass note of the chord first and then lightly strum the upper notes of the chord. In Figure 3, we take a look at an eight-bar chord sequence inspired by one of the piano tracks on the album, which has a distinctive descending bassline. Pianist Rick Wakeman added considerably to the palette of sounds available to Bowie on Hunky Dory. Repeat these two chords as often as you like and then use the F major chord to climb out of the sequence before stopping dead on the plain D minor barre chord and pausing for four beats before repeating the whole pattern. The thumb remains where it is, holding down the note A on the low E string and creating the slash chord ‘D minor added ninth with A bass’. This same open string also gives us an added ninth in the D minor chord. Once again we have the open E string, but this time it doubles the note which is already at the top of the chord. Moving on to Figure 2, the A major chord is essentially the same shape as the Fmaj7 chord in Figure 1, except that it omits the A string, which can be muted using the tip of the third finger. All these examples are meant to be played with the pick, and preferably on acoustic in Figure 1, try a ‘one-and-two-and-a’ rhythm and make the most of the dissonance provided by the open first (high E) string. It is also important to use the tip of the first finger to mute the sixth (low E) string in the Bb chord – another tricky aspect of this sequence. Another challenge here is that we are at the lowest end of the guitar, where the frets are furthest apart and the nut is trying to hold up the strings that we are trying to press down. ![]()
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